The results indicate that organizations implementing ABWs should promote perceived meaningfulness in the process to mitigate possible declines in satisfaction with the physical and psychosocial work environment.Īctivity-based workplaces health implementation: well-being sense of coherence work satisfaction. Background and historical chapters trace the development of the salutogenic model of health, and flesh out the central concepts, most notably generalized resistance resources and the sense of coherence, that differentiate it from pathogenesis. Interviews suggested that meaningfulness was facilitated by participation in the presented activities and that communication before relocation was crucial. On the other hand, the Sense of Coherence (SOC) is a competence that could help these professionals perceive the situation as understandable, manageable, and. All SOC indicators were positively associated with overall health, well-being and work satisfaction ( p < 0.001). The reduction in work satisfaction was smaller among employees with high meaningfulness in the relocation process ( p < 0.001). Relocation to an ABW was associated with a reduced work satisfaction (physical p 0.001). Data were analyzed using repeated measures ANOVA and content analysis. Focus group interviews (15) were conducted before and after. Questionnaires were administered before ( n = 536), 3 months ( n = 409) and 9 months ( n = 373) after relocation. We followed the implementation of ABWs at the Swedish Transport Administration (2018-2019). Drawing on the theoretical framework, i.e., sense of coherence (SOC), the aim was to investigate how indicators pf SOC-meaningfulness, manageability and comprehensibility-are associated with, or function as barriers or facilitators for, health, well-being and work satisfaction during relocation to an ABW. Activity-based workplaces (ABWs) are implemented with possible implications for health, well-being, and work satisfaction in the workplace.
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What Are The Different Types of Wood Fences? 1. So be sure to assemble the parts with weather-resistant fasteners, such as hot-dipped galvanized or stainless-steel nails and screws. Then posts are usually the first to go panels survive longer because they typically don’t touch the ground.įences must withstand year-round exposure to the element. A fence can last about 20 years, if made of a turnout resistant wood. Redwood, cedar or pressure-treated pine last the longest. What Type Of Wood Fence Lasts The Longest? They are spaced between 6 and 8 feet apart, depending on fence height and design.
Replace the image's src and rebuild the cropper. For example: HTML drawImage (image, x, y, width, height) The first argument image can be created using the Image () constructor, as well as using any existing element.drawImage function allows us to render and scale images on canvas element. Options checkOrientation Input image (original image) Download lastModified: 1678660135994 lastModifiedDate: Sun 15:28:55 GMT-0700 (Pacific Daylight Time) name: picture.
This of course is a given, but you will be surprised at how many people take a lot of arrows with them to compensate for their aim that they lay them on the ground next to them. That is the most important part of hunting and without something to allow you to be fast on the draw, you will have a harder and longer time trying to kill that animal. This will allow you to have the upper hand on it all and be able to get the kill. When you have a quiver, you can easily reach behind you and pull out the arrow quickly. Any hesitation and you will lose the animal altogether. You need to be able to act fast and when you have your arrows in a quiver, you will be able to react fast and give it to them. When you are in the middle of the hunt, it is normal to become excited when you finally see your prey. When you are into hunting, and you choose to go on a hunting trip with your bow, you are going to have to be fast in the case that you miss your first shot. However, what they fail to notice is that a quiver is there to protect the arrows so that you can reuse them until they eventually cannot be used anymore. Many archers feel that having something on your shoulder, on your back, or mounted to your bow is somewhat restricting and impede your archery skills. Which quiver is best for target shooting?.Is there a difference between recurve and compound bow quivers?.Treelimb Quivers Premium Series 5-Arrow Compound Bow Quiver.Trophy Ridge Hex Light 2, Two-piece 5 Arrow Quiver.G4Free Archery Back Arrow Quiver with Molle System.Kratarc Archery Dual Use Leather Back Arrow Quiver Hip Quiver.Wyandotte Leather Large Center Back Quiver.Kratarc Multi-Function 4-Tubes Back Arrow Quiver.Sportsman’s Outdoor Products Tarantula T400 Quiver System.How to Find the Best Quiver for your needs?. Histology varies based upon the source of the primary malignancy. For example, a lytic lesion or open-section defect might produce a stress concentration that cannot withstand normal or low-demand activity. Pathologic fractures occur through these lesions due to altered biomechanics. Osteoblastic lesions occur secondary to endothelin 1, which is secreted by the tumor. Osteolytic lesions of bone occur secondary to tumor-induced activation of osteoclasts by upregulation of RANK ligand. Primary soft tissue and bone sarcomas are far less common, affecting roughly 13,000 and 3,600 people in the U.S., respectively. Approximately 8% of these patients will sustain a pathologic fracture, based on a retrospective analysis by Higinbotham on 1,800 patients with metastatic cancer to bone. Metastatic disease of the bone will affect approximately 5% of these patients, varying based on cancer type, with the cost of healthcare being nearly 13 billion dollars. EpidemiologyĪpproximately 1.7 million people are diagnosed with cancer each year in the United States. Primary bone sarcomas occur far less frequently, though disregarding the possibility that a pathologic fracture through a solitary bone lesion could be the first evidence of a primary sarcoma could lead to catastrophic consequences, including loss of life or limb. The most common sites for skeletal metastasis include the spine, proximal femur, and pelvis. There are five recognized carcinomas that most frequently metastasize to bone, including lung, breast, thyroid, renal, and prostate. In a patient 40 years of age or older, the likelihood that a pathologic fracture through an unknown lesion that is metastatic is 500 times more common than the likelihood of it being a primary bone sarcoma. The majority of neoplastic pathologic fractures are caused secondary to metastatic disease rather than primary bone tumors. Pathologic fractures occur through areas of weakened bone attributed to either primary malignant lesions, benign lesions, metastasis, or underlying metabolic abnormalities, with the common factor being altered skeletal biomechanics secondary to pathologic bone. Therefore, diagnosis of the causative pathology is of paramount importance in the successful treatment of a pathologic fracture and is a prerequisite for proceeding with surgical intervention. The incidence of pathologic fractures is rising, primarily due to improved diagnosis and treatment of metastatic disease leading to prolonged survival. Pathologic fractures represent a growing concern in the field of musculoskeletal oncology. Explain the importance of collaboration and communication amongst the interprofessional team to improve outcomes for patients affected by pathologic fractures.Summarize the surgical approach to fixation for pathologic fractures based on anatomic location and healing potential.Outline the approach to the staging workup for the causative lesion resulting in a pathologic fracture.Review the common symptoms and physical exam findings associated with pathologic fractures.This activity reviews the evaluation and treatment of pathologic fractures and highlights the role of the interprofessional team in managing patients with this condition. Therefore, proper diagnosis, staging, and treatment of pathologic fractures are essential to improve patient outcomes. Pathologic fractures occur secondary to altered skeletal physiology and mechanics in the setting of a benign or malignant lesion. The live audience is clearly enjoying themselves. Though the show gets serious at times, especially during a moving tribute to victims of police violence towards the end of the show, the music and dancing keeps the show fun and peppy. Highlights for me include the aforementioned “Here” and “Everybody’s Coming to My House,” the nonsensical “I Zimbra ,” and of course the encore number “Road to Nowhere” during which Byrne and company leave the stage and dance through the audience. The entire show seems intricately crafted and perfectly timed. No lighting choice is constant and most songs have their own distinctive look to them. Instead, the “curtains surrounding the stage”, actually hundreds of blue light strands hanging down from the ceiling, provide dynamic entrances and exits for the performers. All involved wear instruments strapped to the same gray suit.Īside from a model of a brain and a plain table and chair used for the spectacular opening number “Here” (one of the best parts of the show), no props are used. The stage is entirely bare, as are the feet of the performers. No backing tracks are used and all instruments are played right on the stage. Byrne is joined on stage by 11 dancers and musicians who slowly enter a few at a time over the course of the first few songs. The show can drag at times in the middle, but never for too long, and the ever changing lighting and choreography helps to focus your attention. Though the songs are varied in genre and tone, from heavy rock to world music to asthmatic acapella choir singing, I was engaged for nearly all of the runtime. All of this is done in an abstract, mishmashed, new-wave method very similar to much of the rest of Byrne’s work which I struggle to thoroughly describe. From “Everybody’s Coming to My House ,” a song reflective of the country’s immigrant history, to “One Fine Day,” a song hopeful for the country’s future, to all the hits sprinkled throughout, the concert touches on many big questions and themes that have surrounded America and humanity in general. The whole production acts as a celebration and critique of Americanness, helped along by Byrne’s commentary throughout. “American Utopia” combines impeccable, varied choreography, a wide selection of songs-both from Byrne’s solo career and hits from his time with the rock band, The Talking Heads-and engaging camerawork from renowned director Spike Lee into a nearly two hour musical experience that I couldn’t look away from. Though I knew his work beforehand, and would have called myself a fan, seeing this show made me more amazed at his songwriting and vibes. Ever since I first watched his early 2020 concert film, “American Utopia” a few weeks back, I’ve been unable to stop appreciating Byrne’s music, style, and genius. The fabric-like material provides additional comfort and conformity and makes the orthosis extremely light-weight. It allows easy pattern making and application of an otherwise more challenging fabrication. Orficast More 30 cm is also a great choice for this orthosis. Muenster Orthosis in Orficast More 30 cm. The Muenster Orthosis is essentially a wrist orthosis with long proximal extensions that converge on the medial and lateral epicondyles at the distal humerus. Additionally, pain, swelling and post-operative bandages would further limit motion.īoth orthoses will effectively immobilize the forearm, but the fabrication technique is slightly different: Patients who actually experience painful forearm motion would be instructed to limit full rotation of their forearm. These participants, however, had no forearm pathologies. Yet, they were still able to rotate through the forearm arc of motion. In the study, participants received proprioceptive feedback that they were reaching limitations in forearm range of motion. They found that while the Sugar Tong Orthosis is more effective at preventing forearm pronation than the Muenster Orthosis, neither completely limits full forearm rotation. (2010) studied the degree to which these orthoses actually limit forearm motion. At the same time, they allow for limited active flexion and extension of the elbow. Muenster and Sugar Tong Orthoses were designed to prevent full forearm rotation, provide stabilization of the radial-ulnar joint and immobilize the DRUJ. This may be particularly important for certain elbow pathologies or after trauma/surgery of the Radius, Ulna, Distal Radial-Ulnar joint (DRUJ), Proximal radial-ulnar joint, and TFCC structures.Ĭlinical diagnoses that might benefit from the use of a Muenster or Sugar Tong orthoses include the following pathologies: The Muenster and Sugar Tong Orthosis allow injured tissues and structures to heal without overstretching or shortening of tissue length. All actions made in Lightroom will be saved in your SlickPic album. When you click on Go to Published Album, you will be taken to your SlickPic gallery. A right-click on this album launches a drop-down menu, where you can rename, create, delete or publish your album. On the left at the bottom, click Publish, so your photos will be published in your SlickPic account. When all photos are added, open this album. Using your mouse to drag and drop, you can move photos already added to Lightroom into this album. If you have already installed the plug-in and authorized it, on the left side of the application you will see the SlickPic bar with your screen name and a new album. How to Use SlickPic Plug-in for Lightroom You will see your screen name in the Publishing Manager window, then click the Save button at the bottom of the screen (this action only has to be done once). This will not affect your SlickPic login.ģ. Then log in to LightRoom® with your Facebook or Google email and new password. See the following article on how to get around this: How To Use Facebook/Google Login With Apps. Note: This plug-in doesn’t support Facebook and Google login. Next, enter your SlickPic screen name or email address and password, and click Login. To log in, right-click on the SlickPic bar in the Publishing Services section and click Edit Settings to bring up the Publishing Manager window.Ģ. If you need instructions on how to use the plug-in, please go to the Help section and click How to Use Lightroom Plug-in.ġ.If you are ready to log in, please see the instructions on How To Login below.The SlickPic Publisher plug-in is installed and you can find it in the Publish Services panel of Lightroom Library. After authorizing, click the Save button at the bottom of the window. Your SlickPic web page will open and ask for authorization. Click the “Log In” button and follow the instructions. After you have installed the SlickPic Plug-in you can proceed to log in.You will be prompted to update your catalog.Next, select the SlickPic-Lightroom-Classic-Plugin.lrplugin, and click OK. For the purpose of this example, we’ve created a SlickPic Plug-in folder in the Documents and moved the downloaded plug-in there. In the Plug-in Manager window click the Add button.From the top Menu, bar click File and navigate down to the Plug-in Manager.Installation is the same for both Mac and PC. Click Update Catalogīelow are the step-by-step instructions with screenshots. The plug-in will need to add metadata fields to your catalog and you will be prompted for permission to update the catalog.
"Unpopular opinion: achievements/trophies have been bad for gaming. And one of them is Ubisoft Massive's lead gameplay designer Fredrik Thylander, who used to work at DICE on Battlefield and Mirror's Edge when Achievements arrived - and he really don't like them, as revealed on Twitter: While most people seem to either like them or simply don't care, there are also critics. Today it has to be considered something of a video game standard and Nintendo is pretty much the only platform holding company without an Achievement system. In 2007, Valve realised it was a good idea and followed suit by pretty much taking Microsoft's Achievement system for Steam, and 2008, Sony did the same thing for PlayStation and renamed them Trophies. In 2005, Microsoft launched the Achievements system for Xbox 360, something that quickly became very popular and led to people both playing their games more thoroughly and in new ways. The glistening length of Klum’s earthworm, with its visual adjacency to both male genitalia and excrement, is surely far from femme-y. In 2002, she was a buxom Betty Boop, and, in 2015, she was a va-va-voom Jessica Rabbit, getups that seemed to put her in line with that commonly held tongue-in-cheek truism from the movie “ Mean Girls”: “In girl world, Halloween is the one night a year when a girl can dress like a total slut, and no other girls can say anything about it.” (The quote has recently become a popular TikTok sound.) But, even when wearing more revealing costumes, there has always been something cheerfully, grotesquely over the top about Klum’s choices, the high-femme-ness of the characters she picked to play accentuated by prosthetics or extreme makeup (huge, cartoonish brows for Betty Boop fake boobs and a butt for the hourglass-shaped Jessica). Over the years, Klum has worn some more traditionally sexy costumes, too. (“This is how your email finds me,” one Twitter user captioned the image.) The image in which worm-Klum is seen lying on the ground, immobile, with a microphone pointed at her, seemed to elicit special glee. It seems like this was basically what Klum was going for: as she told Vogue, “Because it is Halloween, you need the creepy factor, also a bit gross and disgusting.” But I also found that I couldn’t look away-a feeling that was obviously shared by many, as the pictures went viral immediately. “I want to unsee this,” my eleven-year-old daughter said, shuddering, when I showed her the images. But it was the worm that took center stage, and not just because of its sheer size (I’d estimate its height at seven feet and counting) but also because of the level of repulsion it inspired. It was technically a couple’s costume Klum’s husband, the musician Tom Kaulitz, dressed as a fisherman who had “hooked” her. Her choice to portray a worm, however, surpassed all her previous Halloween efforts combined. In 2011, she was a hairy ape (a couple’s costume with her then husband, the singer Seal) in 2014, she was the whiskered, varsity-jacket-wearing teen werewolf of Michael Jackson’s “Thriller” video and in 2018, she was Princess Fiona from “Shrek” (the green-skinned-ogre version of Fiona, of course). Throwing an annual star-studded Halloween party has been a Klum tradition for twenty or so years-a routine disrupted only by the pandemic-and, in the past, she has worn some extreme, labor-intensive costumes. The enormous worm wasn’t just any old enormous worm: within its prosthetic encasing was Heidi Klum, the supermodel and television personality, who has been known over the past three decades as a Victoria’s Secret Angel, a host of fashion-centric reality-competition shows such as “Project Runway” and “Making the Cut,” and, no less famously, a person who has been known to go really hard on Halloween. “Hi, guys!” it said into the mike, in a surprisingly girlish, German-accented voice. A crouching “Entertainment Tonight” reporter proffered her microphone to the creature, whose mouth opened and closed with some difficulty, like a ventriloquist’s dummy. As a video I watched later confirmed, the worm was also able to speak. (Steven Spielberg came to mind, too my initial thought, upon seeing this horror, was this since-deleted viral tweet.) Disturbingly, the worm had a face, too, or at least eyes and lips, emerging wetly from the expanse of its tubelike body. First the worm was standing on a red carpet, and then it was lying prone, as if flung from the set of a John Carpenter movie. What was I looking at, exactly? The pictures appeared to show a bulbous, enormous worm, ridged and glistening and pinkish brown, its tail elongated and tapering, its texture somewhere between that of an oily strip of bacon and offal that had turned. On Tuesday morning, I was, as usual, on Instagram, scrolling through the previous night’s Halloween posts on my feed, when a series of images, from the New York Post account, stopped me in my tracks. Photograph by Roger Wong / INSTAR / Alamy Use this code to include this blingee on Myspace betty boop halloween pictures Use this code to include this blingee on Myspace (Background) body betty boop halloween picturesĬopy the entire code, and paste it on the page where you want it to appear!įor detailed instructions on how to add this blingee to your profile, click here.Heidi Klum’s choice to portray a worm has surpassed all her previous Halloween efforts. |
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